Note Level 7 is not yet developed/ released – it will be something special.
Rhythm
This section covers chords and strumming and is the heart of any song.
Theory
Includes the way chords and scales work and how harmony and discord are created.
Scale
Scales cover a wide variety of different scales that create the tone of a song.
Technique
Technique is the fancy slides, bends, and tricks that highlight riffs and lead sections.
Time
Covers the basics of beats and then how to manipulate them for different sections of a song.
Lesson List
| Section | Level | Name |
| Scale | 0 | Open A Minor Scale |
| Rhythm | 1 | Am Chord |
| Rhythm | 1 | Em Chord |
| Theory | 1 | A – G Notes |
| Scale | 1 | Open Am Descending |
| Scale | 1 | Open C Major |
| Time | 1 | 1/4 Notes |
| Technique | 1 | Finger Placement |
| Rhythm | 2 | Changing Chords |
| Rhythm | 2 | Dm Chord |
| Rhythm | 2 | Strumming |
| Theory | 2 | Chords |
| Theory | 2 | Notation – Scales |
| Theory | 2 | Tablature – Scales |
| Theory | 2 | Major and Minor |
| Scale | 2 | Open C – 2 Octave Ascending |
| Scale | 2 | Open Am – 2 Octave Ascending |
| Scale | 2 | Am Pentatonic |
| Scale | 2 | Open Am Ascending and Descending |
| Scale | 2 | Open Em Ascending and Descending |
| Time | 2 | Beats Per Minute |
| Time | 2 | 1/8 Notes |
| Time | 2 | 1, 2, 3, Rest |
| Technique | 2 | Finger Position |
| Technique | 2 | Pull-off |
| Technique | 2 | Hammer-on |
| Rhythm | 3 | Fast Changing |
| Rhythm | 3 | C Chord |
| Rhythm | 3 | G Chord |
| Rhythm | 3 | Hammer-strum |
| Rhythm | 3 | Cut |
| Rhythm | 3 | Emphasis |
| Theory | 3 | 7th Chords |
| Theory | 3 | Circle of 4ths |
| Theory | 3 | Key Notation |
| Scale | 3 | C Scale – A Position |
| Scale | 3 | C Scale – E Position |
| Scale | 3 | Am Scale – 2 Octave Descending |
| Scale | 3 | Am Scale – Pentatonic 2 Octave |
| Scale | 3 | Open Em Scale – 2 Octave |
| Scale | 3 | Open Am – 2 Octave Ascending and Descending |
| Scale | 3 | Am Scale – A Position – 2 Octave |
| Scale | 3 | Am Scale – E Position |
| Time | 3 | Changing BPM |
| Time | 3 | 1/16 Notes |
| Time | 3 | Triplets |
| Technique | 3 | Down and Up Picking |
| Technique | 3 | Double notes |
| Technique | 3 | Double Pull-off |
| Technique | 3 | Double Hammer-on |
| Technique | 3 | Slide – Ascending |
| Technique | 3 | Slide – Descending |
| Rhythm | 4 | A7th Chords |
| Rhythm | 4 | E7th Chords |
| Rhythm | 4 | D7th Chords |
| Rhythm | 4 | C7th Chords |
| Rhythm | 4 | G7th Chords |
| Rhythm | 4 | F7th Chords |
| Rhythm | 4 | F Chord |
| Rhythm | 4 | Ascending Open Chords |
| Rhythm | 4 | Harmonic G,C and F |
| Rhythm | 4 | Flick |
| Theory | 4 | 9th Chords |
| Theory | 4 | 4th Chords |
| Theory | 4 | Modes |
| Theory | 4 | Intervals |
| Scale | 4 | C Scale – E Position 2 Octave |
| Scale | 4 | C Scale – C Position |
| Scale | 4 | C Scale – G Position |
| Scale | 4 | C Scale – D Position |
| Scale | 4 | C Scale – A Position 2 Octave |
| Scale | 4 | Am Scale – 3 Octave |
| Scale | 4 | Am Blues Scale |
| Scale | 4 | A Harmonic Minor |
| Scale | 4 | Am Scale – C Poition |
| Scale | 4 | Am Scale – G Position |
| Scale | 4 | Am Scale – D Position |
| Time | 4 | Time signature 3:4 |
| Time | 4 | Patterns |
| Time | 4 | Off beat |
| Time | 4 | Kick and snare |
| Technique | 4 | Moving strings |
| Technique | 4 | Double Note Slide |
| Technique | 4 | Hammer-pull-hammer |
| Technique | 4 | Harmonics |
| Technique | 4 | Slide-pull |
| Technique | 4 | Hammer-slide |
| Technique | 4 | Bend |
| Technique | 4 | Vibrato |
| Technique | 4 | Descending Slide-pull |
| Rhythm | 5 | A4th Chords |
| Rhythm | 5 | A9th Chords |
| Rhythm | 5 | E4th Chords |
| Rhythm | 5 | E9th Chords |
| Rhythm | 5 | D4th Chords |
| Rhythm | 5 | D9th Chords |
| Rhythm | 5 | C4th Chords |
| Rhythm | 5 | C9th Chords |
| Rhythm | 5 | F4th Chords |
| Rhythm | 5 | F9th Chords |
| Rhythm | 5 | G4th Chords |
| Rhythm | 5 | G9th Chords |
| Rhythm | 5 | Bar Chord – A Position |
| Rhythm | 5 | Bar Chord – E Position |
| Rhythm | 5 | B Chord |
| Theory | 5 | 6th Chords |
| Theory | 5 | Suspended and Added Chords |
| Theory | 5 | Using Modes |
| Theory | 5 | 5th Harmony |
| Theory | 5 | Interval Harmony |
| Scale | 5 | G Scale – E Position- Dominant |
| Scale | 5 | C Scale – C Position – 2 Octave |
| Scale | 5 | G Scale – C Position – Dominant |
| Scale | 5 | C Scale – G Position – 2 Octave |
| Scale | 5 | G Scale – G Position – Dominant |
| Scale | 5 | G Scale – A Position – Dominant |
| Scale | 5 | G Scale – D Position – Dominant |
| Scale | 5 | Em Scale – 4 Octave |
| Scale | 5 | Blues Extension Box |
| Scale | 5 | Harmonic Minor – 2 Octave |
| Scale | 5 | Dm Scale – C Position – Dorian |
| Scale | 5 | Dm Scale – E Position – Dorian |
| Scale | 5 | Am Scale – C Position – 2 Octave |
| Scale | 5 | Am Scale – G Position – 2 Octave |
| Scale | 5 | Dm Scale – G Position – Dorian |
| Scale | 5 | Am Scale – E Position – 2 Octave |
| Scale | 5 | Dm Scale – D Position – Dorian |
| Scale | 5 | Dm Scale – A Position – Dorian |
| Time | 5 | Pseudo 3:4 |
| Time | 5 | 3:4 over 4:4 |
| Time | 5 | Time signature 5:4 |
| Time | 5 | Building Patterns |
| Time | 5 | Resolving to the 5th |
| Time | 5 | Resolving to the 3rd |
| Time | 5 | Long rests |
| Technique | 5 | Stretching |
| Technique | 5 | Sweep |
| Technique | 5 | Tapping |
| Technique | 5 | Finger pick |
| Technique | 5 | Pull-slide-pull |
| Technique | 5 | False Harmonics |
| Technique | 5 | Joining Runs |
| Technique | 5 | Reverse Bend |
| Technique | 5 | 1/2 Step Bend |
| Technique | 5 | Up and Back down |
| Technique | 5 | Broken 1/3rds – Ascending |
| Rhythm | 6 | A6th Chords |
| Rhythm | 6 | E6th Chords |
| Rhythm | 6 | D6th Chords |
| Rhythm | 6 | C6th Chords |
| Rhythm | 6 | F6th Chords |
| Rhythm | 6 | G6th Chords |
| Rhythm | 6 | Bar Chord – C Position |
| Rhythm | 6 | Bar Chord – G Position |
| Rhythm | 6 | Small Chords |
| Rhythm | 6 | C7th B7th Finger Pick Descended |
| Rhythm | 6 | Thumb and Finger Picking |
| Rhythm | 6 | B 1/2 Diminished Chord |
| Rhythm | 6 | Finger Sweep |
| Rhythm | 6 | Modal 7ths |
| Rhythm | 6 | Modal patterns |
| Theory | 6 | Sharp 9th Chord |
| Theory | 6 | Chords with 5th from a Second Instrument |
| Theory | 6 | Mode Basslines |
| Theory | 6 | Harmony 3rd |
| Theory | 6 | Key Change |
| Theory | 6 | Intervals by Ear |
| Scale | 6 | F Scale – E Position – Lydian |
| Scale | 6 | F Scale – C Position – Lydian |
| Scale | 6 | F Scale – G Position – Lydian |
| Scale | 6 | F Scale – A Position – Lydian |
| Scale | 6 | F Scale – D Position – Lydian |
| Scale | 6 | Melodic Minor |
| Scale | 6 | Minor Slip |
| Scale | 6 | B.B. King Box |
| Scale | 6 | E Phrygian Dominant |
| Scale | 6 | Em Scale – C Position – Phrygian |
| Scale | 6 | Em Scale – E Position – Phrygian |
| Scale | 6 | Em Scale – G Position – Phrygian |
| Scale | 6 | Em Scale – D Position – Phrygian |
| Scale | 6 | Em Scale – A Position – Phrygian |
| Scale | 6 | Diminished |
| Scale | 6 | Slipping Harmonic Minor |
| Scale | 6 | B Scale – C Position – Locrian |
| Scale | 6 | B Scale – E Position – Locrian |
| Scale | 6 | B Scale – G Position – Locrian |
| Scale | 6 | B Scale – D Position – Locrian |
| Scale | 6 | B Scale – A Position – Locrian |
| Time | 6 | Triplet 4:4 |
| Time | 6 | Poly Rhythms |
| Time | 6 | 5:4 Mission Impossible |
| Time | 6 | Time Signature 7:8 |
| Time | 6 | Time Switching |
| Time | 6 | Tweaking Patterns |
| Time | 6 | Resolving to the 7th |
| Time | 6 | Late Resolution |
| Time | 6 | Intermittent Rests |
| Time | 6 | 5 x 3 note over 4:4 |
| Technique | 6 | 4 Note Arpeggio Sweep |
| Technique | 6 | Hammer Tap |
| Technique | 6 | Finger Picking Ascending and Descending 3 note |
| Technique | 6 | Finishing 7th Slide |
| Technique | 6 | Drop tuning |
| Technique | 6 | Slide Guitar – Open tuning |
| Technique | 6 | 7,1,6,7 descending digital pattern |
| Technique | 6 | Digital Pattern – 1,2,3,1 |
| Technique | 6 | Scales from the 4th mode |
| Technique | 6 | Scales from the 5th mode |
| Technique | 6 | Open tuning – E minor |
| Technique | 6 | Open Tuning – B minor |